[Review] Thomas Dybdahl – What’s Left Is Forever
Norwegian singer-songwriter Thomas Dybdahl’s newest release What’s Left is Forever ought to be applauded for putting some well-deserved stock into the Norwegian singer-songwriters.
Category: albumreviews
[Review] The Black Keys – Turn Blue
Having been a Black Keys fan since the far and away times of 2006’s Magic Potion, listening to the duo’s stylistic evolution every album has been...
[Review] Archie Powell & The Exports – Back In Black
If Archie Powell & The Exports could possibly decide whether or not they wanted their sound to mirror Nirvana, MC5 or A Day To Remember...
[Review] Eels – The Cautionary Tales of Mark Oliver Everett
This year’s annual release from Eels yet find front man Mark Oliver Everett grappling with identity and multi-faceted existential crises in a dreamscape of diluted...
[Review] The Secret Sisters – Put Your Needle Down
In their second venture with producer T. Bone Burnett, butternuts Laura and Lydia Rogers rejoice with another warm success on their sophomore album Put Your...
[Review] Kevin Drew – Darlings
My Dad, upon seeing Broken Social Scene perform on The Late Show with David Letterman, asked me why they had so many guitarists. Peak Broken...
[Review] Foster the People – Supermodel
I’m so glad Foster the People finally came out with their second album. So glad because I can finally be one of those editorial writers...
[Album Review] Los Lobos – Kiko
Though the list of “Most Underrated Albums of All Time” is lengthy, disputable and ever expanding, I nonetheless would like to make a bid for...
[Review] Los Campesinos! – No Blues
The titles of Los Campesinos! albums seem to bounce back and forth between earnest, dramatic emotionalism and cynical snark: We Are Beautiful, We Are Doomed...
[Album Review] Pearl Jam – Lightning Bolt
Age has yet to become a transparent component of Pearl Jam’s being, as the band of late 40-somethings prove that they can indeed still rock...
